The Chinese have represented beautiful things since ancient times. They praised one's will with the "anti-jade festival" and described the beauty of women with "heart-shaped jade" such as "jade-like flower". Dai Yu bracelet (鈪) is a symbol of loyalty and beauty. After the Han Dynasty, the "double jump", more pairs of right meaning, said reunion, protection, close association, skin related. In the tomb of the Neolithic Age, the jade of the bracelet has been found, and the custom of the jade bracelet has been known for a long time. Since there are also existences in the funerary objects, the living (including men and women) will also bring jade bracelets.
The original ring-shaped or braided jade was worn on the arm like an armband and later worn on the wrist. The "Yuyou Ring" of the Yellow Emperor's Era (actually called "ç‘—" is right), in fact, it is basically a jade bracelet, but there are several patterns on the outer surface that are almost animal-faced! Neolithic to three generations, some short The shape of the square, the shape is basically derived from the cylindrical jade bracelet. Some of them also have a "composite image of the gods and ancestors" as the "hands of the heavens and the earth" worn on the wrists. In the Liangzhu culture, the first bracelet of Yulong (excavated in Yuhang Yaoshan, Zhejiang Province) was discovered, and the technique of embossing and line carving was used to sculpt strange patterns. Archaeologists said in the report: "If the plane is added obliquely to the side, the shape is quite similar to the dragon shape in our traditional concept." It is also said that "the ring of the ring, or can be regarded as a dragon body." The symbol of "." Therefore, there is a saying that the jade bracelet is like a dragon body, protecting the Chinese descendants, but also a combination of national feelings. The short female jade transformed by the ancient female armband bracelet represents the feminine, feminine, and the ritual of the "land", and the "land" is the shade.
A folks in the calendar thought that Dai Yuxi’s psychology of being shocked, protecting and reassuring has a long history and is related to national psychology. It is not purely decorative.
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