At the auctions over the years, the number of sculptures appeared in very small numbers, and most of them still have more on-site transactions in galleries or art fairs. A few years ago, Zhu Ming sculpture was the only one that was eligible for inclusion in the auction market and was the only Taiwanese creator. This ranking based on the auction market reflects the ecological characteristics of sculptures in the art market. Due to the influence of subjective and objective conditions in several aspects, the sculpture works are not as high as the acceptance of painting in the market.
If we are worried about their collection value because the sculpture works are not affected by the objective factors in the auction market, it is also an unnecessary concern. We further analyze the ecological relationship of sculpture in the market, or we can get some reason for letting go. According to the above summary, the primary market is the main activity area of ​​the sculpture works, and the activity space of the secondary market is relatively narrow. Imagine that Zhu Ming’s market in Taiwan belongs to a very senior predecessor sculptor, but he can only occupy the pole at the auction. A small amount of status, but how is Zhu Ming's market development process developed? In short, Zhu Ming's simple sculpture style, which is the identity of the woodcut master, is appreciated by Yang Yingfeng, who plays the role of Bole. Under the dual effects of exhibitions and celebrity promotion, he enters the collector's horizon. Since then, Zhu Ming's creation has gradually occupied the position of Taiwan's local sculpture market in the process of woodcarving, bronze sculpture, large-scale landscape sculpture and public art creation. This sculpture road, which is carried out in the context of “market†and “non-marketâ€, is a successful sample and a special feature of sculpture art in the market ecology.
Small and medium-sized sculptures are placed in indoor spaces for private viewing. They are the basis of sculpture art collections, while large works have good application value outdoors. For example, in 1992, the first item of Article 9 of the “Cultural and Art Awards Regulations†of Taiwan stipulated that “public buildings should be equipped with public art, beautify buildings and the environment, and their value should not be less than 1/100 of the building cost. "Used in commercial residential buildings also enjoy the same awards. In addition, “the public works of major public works are not subject to the cost of the building by 1/100...â€; the second paragraph of Article 8 of the Regulations on the implementation of the regulations states the scope of major public works. After that, the construction of new communities and various public buildings in Taiwan came into being. (Hu Yuxun)
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