Contemporary porcelain collection will become the trend of future porcelain collections

According to data from the Bobao Art Network, contemporary porcelains have been exposed in the porcelain collection market. Experts said that as the price of ceramics is overestimated in the future, many collectors and potters will come The more attention is paid to contemporary porcelain, especially contemporary porcelain, which is also the inevitable law of the development of the collection market.

For a long time, Gaogu Ceramics has been occupying the absolute mainstream of the porcelain collection market, but it is difficult to discern between authenticity and high price, leaving many collectors and ceramic art fans discouraged. In this regard, Bo baby Jane Mall Mr. Wang spoke of precisely because of this deviation from the civilian population of the ancient ancient porcelain, Bo baby Zhen Mall has the opportunity to absorb a large number of contemporary famous porcelain, the purpose of the first is to comply with the ceramics collection market The upcoming trend will be reversed. In order to enable the website to become the largest network communication platform in the ceramic collection industry in the future.

Ceramics has always been one of the mainstream collections in the collection industry. As early as in 1989, Sotheby's in London launched a Tang Sancai, which was sold for HK$49.5 million. This price record has been maintained for more than 10 years. In 2005 Christie of London took a picture of "Guiguzi Down the Mountain Blue Pot" in the Yuan Dynasty. The result was bought by a British collector for 230 million yuan, setting the highest price in the Chinese ancient porcelain market.

In recent years, the value of collections of contemporary ceramic art boutiques has begun to appear. China's Guardian, Shanghai Chongyuan, Beijing Bohai and other well-known auction houses have launched a special exhibition of modern and contemporary ceramics in recent years. The success of auctions has helped modern ceramics become a new collection of hot spots. Promote the role of aid. In 2008, in Jiadechun, the Chinese Craftsman Li Jusheng's work “The Time of Bean Curd” produced a high price of 1.23 million yuan, while the other two pieces of high-temperature underglaze color paintings “Ghosts” and “Master of the Mountain” of Bo Juzhen’s Li Jusheng were masterpieces. Chun Fang has also attracted the attention of many collectors.

Mr. Bobao Wang also mentioned that contemporary ceramics have surpassed Gaogu Ceramics in terms of skill and conception, and have really made ceramics on the ranks of artworks. Such famous ceramics currently sold in Baozhen Mall are in the process of creation. A considerable amount of advanced elements have been drawn in, and the content is able to reflect the creator's thinking while highlighting the tradition. For example, contemporary ceramic masters Li Jusheng, Li Penglai, Sun Xinshui, Wu Shangfu, Yang Chaoqun, and Yi Bingjun are very collectible and potential for appreciation for ceramic collectors.

Ning Gang, dean of the School of Design Art at the Jingdezhen Ceramic Institute and the judge of the Chinese arts and crafts masters, said: “Traditional Chinese ceramic art has a very fine division of labor. Every ceramic artist in Jingdezhen will only have one process in his lifetime, and will use a process technology. To the fullest extent, not only is the ceramic modelling, firing, and drawing dedicated to each person, even the decoration of the picture is also very finely divided, the painter does not fill in, and the inserter does not paint, and the concept and technology of modern ceramic art appear. The earth has changed and impacted this tradition, and the emergence of new ceramic instruments and technologies such as gas kilns, clay machines, and electric stretchers has made it possible for ceramic artists to perform individual operations from peat to molding to firing. The works of art are entirely considered by the ceramic artists themselves. Each part and every process is a reflection of the ceramists' self-concept. Therefore, the ceramists' creative inspirations are expressed more accurately and accurately. This is better than ancient times.”