China's fashion design after a long period of development, and now fashion design requirements for innovation is more and more high. Ancient clothing culture is to give our design development provides a steady stream of inspiration. Each of the different dynasties in China has its own distinct characteristics of clothing. For example, the design of modern tight-fitting dress is to follow the beauty of Chinese modern cheongsam. So, what are their implications for China's fashion design innovation? The Qing Dynasty was a regime established by the ethnic Manchus. Due to its long period of nomadism and belligerence, the tight, concise and easy riding and riding was the main feature of its costume culture, which was quite different from the Han traditional costume culture. From the history of the development of clothing, the Qing Dynasty changed the most traditional costumes. The costumes of the Qing Dynasty were the most complex and complex in Chinese costumes. They were also a great revolution in the history of Chinese costume design in the recent century. Thousands of years of broad-brimmed long-sleeved drag skirt Sheng crown, handsome and slender, slender and delicate, and slender body, sleeves short and narrow full-filled form, in stark contrast. Flagage to save it with materials, easy to make and take convenient, to replace the ancient dress, which is easy to accept future generations of the main reasons. Manchu flag fitted, the outline of a rectangular, saddle-shaped collar cover the cheek protection surface, the upper and lower clothes do not take the waist, the shirt is exposed, the partial right 衽 to Newton as decoration, two or three pieces of fake sleeves, horseshoe cuff cover , Inlaid with decorative crafts, clothes plus clothing, increase the waistcoat or coat ...... The shape of a complete rigor, was closed box-shaped body, so solemn solemn image, extraordinary height, and unique. Nowadays, it has produced the influence of "a generation of beautiful costumes" both at home and abroad. Manchurian changed the basic forms of ancient Chinese costumes formed over thousands of years. He used to dress the junctions between ancient Chinese clothes and modern clothes. Its existence is the condition for modern men's gown robes and ladies' cheongsam to be carried out in the future. Women, Han and Manchu in Qing dynasty did not conduct well. During the reign of Emperor Kangxi and Yongzheng, the Han women kept the Ming dynasty style and fashionable mini-sleeved clothes and long skirts. In the future, Qianlong's clothes gradually became fatter, the cuffs were wider and the shoulders were wide. In addition, People have to dress skirts, clothing inlaid lace, roller teeth, a clothing expensive most spend on this. Manchu women with "flag", comb flag buns (commonly known as two heads), wearing "flower pot at the end of" flag shoes. Manchu women dominated the cheongsam, cheongsam slender body, sleeves short and narrow, and lasted thousands of years of robes big sleeves drag skirt Sheng crown, free and beautiful, slender weak constitute the apparel cf. Flagging to save it with materials, (which is also in line with the concept of modern environmental design fashion) easy to manufacture and easy to wear, to replace the ancient dress, which is easy to accept future generations of the main reasons. Manchu apparel is the transition point between ancient costumes and modern costumes in China. It is also an era that has been most changed in the history of Chinese clothing. The invasion and conflicts between Manchu costumes and Manchu costumes have made Manchu costumes universally accepted and changed in China Thousands of years, a large tunic, Sleek and elegant, drag skirt Sheng crown clothing form. Now we dress with pendant sweater chain and other jewelry, there are from the Qing dynasty costumes beads and other with the shadow. The design of modern costumes in the Qing Dynasty pattern is also more use. Costume designers to Manchu traditional cultural elements into the concept of modern life, Manchu traditional costumes in the typical style as a symbol of a language, origin of the creative, through modern concepts and practices, these Traditional components, into their own planning, creating a blend of ancient and modern Chinese and Western craftsmanship and modern skills linked to the classic clothing.
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